#transliteracy Welcome back! I'm posting on the Screen Two session, chaired by the lovely Ann Kaloski:
* Ron Herrema [DMU] Trans-arts Literacy and Creative Efficiency
* Kate Pullinger [DMU] Transliterate Practice
* Martin Rieser [DMU] The Third Woman
Ron Herrema talking about some of his creative work, and showing some of his peices. He's interested in the relationship between sound and image, and the relationship between stillness and movement #transliteracy
"Art is what helps you vanquish inerta" - Henri Michaux #transliteracy
Fascinating lunchhour chat with @solobasssteve & @johnpopham. Now Ron Herrema's #transliteracy session…
'Dither' - in music it's a friendly noise that you add to make an unfriendly noise better. In image it's the same - a kind of smoothing out #transliteracy
#transliteracy Ron Herrema
www.mti.dmu.ac.ukChanging Weights: probabilities & 'phase shift' - beautiful piece of music. We're trying to post into the live stream now #transliteracy fingers crossed!
#transliteracy Rone Herrema transferred techniques from music to visuals…stasis & motion: wonder what waveforms of both would look like…
www.flickr.com/ronherrema #transliteracy
Kate Pullinger talking about Flight Paths - a networked novel
www.flightpaths.net #transliteracy
#transliteracy Now @katepullinger on
www.flightpaths.netInanimate Alice is another of Kate's projects - really excellent digital literacy resource
www.inanimatealice.com #transliteracy
confused? you will be. #ampleic #transliteracy
I want to know what will count as a discipline in transdisciplinary #transliteracy
#transliteracy ooh technological glitch lasted just long enough for me to find my luncheon Mars Bar…
Following #transliteracy today via @solobasssteve @brian_condon and @josiefraser. Fascinating stuff. Congrats to @suethomas :)
Martin Rieser on The Third Woman project - a range of collaborators of various nationalities and skills levels
www.ioct.dmu.ac.uk an interactive film, a game, a performance, a range of web presences - driven by mobile phones #transliteracy
#transliteracy Martin Rieser. They based it on The Third Man, using the same locations, but swapping gender roles…
#transliteracy Martin Rieser They collected, cultured & DNA decoded bacteria, made ringtones from the sequence! I think…
#transliteracy The Third Woman You may get a slightly different story each time you watch, depending on your emotional state…
#transliteracy nokia working on emotion sensing thru mobile devices ... Research vehicle is 'Third Man' ARG / performance piece.
#transliteracy Fascinating…
www.ioct.dmu.ac.ukbit.ly written whilst at #transliteracy.
'dream one in the machine' wow another great phrase #transliteracy #ampleic
Q: [to Kate] You opened Flight Paths up for other contributors - how well do you think that contributes to the story itself? Kate: the line between what other people contributed and what the two central authors contributed was very blurred. A lot of the content was strangely familiar. It wasn't a wiki - it was a minimally edited small group of contributors - and producing the five story fragments acted as a form of filtering anyway. The final piece was a distillation of the contributions by Chris and I #transliteracy
does 'art' just 'art' itself? #transliteracy
Interesting comments on collaboration and the value of wikis for creative projects #transliteracy
#transliteracy 'How do you put the humanity back into art that is machine-generated?' (Martin Rieser)
Loving the #transliteracy conference! Can feel my brain pinging in all sorts of different directions simultaneously…
The relationship between collaboration and transliteracy is an interesting one. Not all of the transliterate practitioners work collaboratively. #transliteracy
Audience comment: Audiences and participants in new forms of art - it's difficult to explain to them what the experience they might expect is, and for them to articulate their experience afterwards. If we talk about reading a book, most people can imagine and describe it. How do we market new art practices?
Panel: You have to frame your work in such a way that it is accessible to the audience if you want an audience. You can't however map out the audiences in the same ways that you used to. And you can't stop artists producing challenging work! #transliteracy
"people who sit on research panels don't seem to be literate in that way" #transliteracy
#transliteracy is presenting transliteral work as art alienating (excluding) folks who are transliterate but don't care about Art?
Finishing with the developing field of emotional sensing through mobile. I'll post a good link when I can find one! Coffee break now :)
josiefraser
brian_condon
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